never rarely sometimes always review

It is about abortion and American critics just loved it as the treatment is very different from the usual commercial films Hollywood churns out. You won’t forget them. Never Rarely Sometimes Always [+ see also: trailer film profile], the third film by Eliza Hittman (It Felt Like Love, Beach Rats), won the Silver Bear Grand Jury Prize at the Berlinale and the Special Jury Award at the Sundance Film Festival.The film tackles the political and socially divisive issue of abortion in America through a melancholic, inspired and emotional coming-of-age tale. Watched Jan 15, 2021. astr’s review published on Letterboxd: So good. The reason that “Never, Rarely, Sometimes, Always” is such an impressive piece of work is that Hittman has such deep compassion for her two leads, a pair of young women pushing through a world that is constantly putting obstacles in their path. Adults often write dialogue for teenagers that sounds like posturing—what old people think young people sound like—or they embed moral messages in barely-remembered memories of their younger days. Physically closed in and unsmiling, outwardly surly and inwardly despairing, Autumn doesn’t quip her way out of trouble or even talk that much. Although Never Rarely Sometimes Always is nowhere near that bleak, it's the most pointed and confrontational American drama about abortion rights that … 1. One in particular asks Autumn a series of questions—the scene which gives the film its fantastic title—and it’s a breathtaking sequence, one in which it feels like Autumn herself is forced to come to terms with things she’s buried, even if just for a few minutes. There’s an artistry to the filmmaking here that elevates what really matters—her character work. And the actress, Sidney Flanigan, is doing the scene not with another actor, but with an actual counselor named Kelly Chapman who I met doing research for the film. 4. Never Rarely Sometimes Always is a reference to an adviser’s clinical questions at Planned Parenthood about Autumn’s sexual history. I didn’t want to do anything stagy to get in the way of the intimacy of the questions that are being asked. Never Rarely Sometimes Always, 2020. ‘NEVER Rarely Sometimes Always’ is an indie film in America that got acclaimed in some film festivals, even winning the Silver Bear Prize at the Berlin Filmfest. With stunning performances from two completely genuine young leads, this is a movie people will talk about all year. There are no monologues. And she sat for several hours. Brian Tallerico is the Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. 11. *Estimated Read Time: 4 mins Eliza Hittman‘s Never Rarely Sometimes Always is a tough watch—not because of distressed theme or challenging nature, but because of the familiarity of its theme and how close it is to the ground. All of which makes Autumn part of a slow-moving transformation that, movie by movie, is redefining the roles women play onscreen. /. That battle is at the center of a gut punch of a scene in which Autumn, using only the four words in the film’s title, answers a health worker’s questions about her health, sexual history and partners. Women are faced with difficult decisions regarding pregnancy all the time, but outside voices often try and seep in. The writer and director Eliza Hittman narrates a sequence from her film starring Sidney Flanigan. "…highlight the stories of young women forced to travel across state lines for abortions." We used two cameras. A searingly truthful sledgehammer of a film, Never Rarely Sometimes Always is devastating in its simplicity. Autumn’s stepfather, by contrast, is infantile and aggressively petulant, and seems eager to run her down at every opportunity. And it does so without cant, speeches, inflamed emotions and — most powerfully — without apology. Through it all, Hittman creates an empathetic, humanistic portrait of Autumn’s hardships. Your answer may reflect the dismay and distress you’ll experience after viewing director Eliza Hittman’s painfully astute third feature Never Rarely Sometimes Always, so named for the multiple-choice options on a standard in-take form at a clinic. Never, rarely, sometimes, always.” So we went for a very stripped down, minimal approach. Directed by Eliza Hittman. With a cousin, Skylar (Talia Ryder, touchingly delicate), she buys a bus ticket to New York, where a minor doesn’t need parental permission to obtain an abortion, unlike in her home state. “He makes me do things I don’t wanna do,” Autumn sings, braving it alone onstage and turning a 1963 pop hosanna into something close to a mournful protest. Block this member This member is blocked; Report this review; astr liked these reviews. - Has anyone forced you into a sexual act ever in your lifetime? “Always.” “Why are you asking me this?” “I want to make sure that you’re safe.” The shooting style of the scene was very simple, intentionally so. “Your partner has hit you, slapped you, or physically hurt you. Never Rarely Sometimes Always review – tough, realist abortion drama. The trip is banal but comes with the customary perils, including the unavoidable loser (Théodore Pellerin) who’s always on the make. With Sidney Flanigan, Talia Ryder, Théodore Pellerin, Eliazar Jimenez. She needs a clinic, money, bus tickets and the ability to get herself from one state to another and then negotiate New York City. Sidney Flanigan in a scene from Eliza Hittman’s “Never Rarely Sometimes Always.”. What she is is viscerally — gratifyingly — real, which makes her more like the blissfully imperfect (if more comic) heroine of a feminist cri de coeur like “Eighth Grade” than the plucky, unthreatening girls that mainstream film loves. (He also has a seriously icky way of playing with the family’s female dog.) The actor’s name is Sidney Flanigan— has finally reached Planned Parenthood in Brooklyn. In “Never Rarely,” the hurdles to an abortion are as legion as they are maddening and pedestrian, a blunt political truism that Hittman brilliantly connects to women’s fight for emancipation. When you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission. Rated PG-13 for adult themes and creepy guys. Never Rarely Sometimes Always review: powerful abortion drama. Flanigan is remarkable in this scene, and throughout the film, and she’s well-matched by Ryder. ‘Never Rarely Sometimes Always’: Film Review Reviewed at Universal Studios screening room, Universal City, Jan. 16, 2020. And on the day that we shot, I took Sidney aside. Because they can affect your health. Finally a good pro abortion movie. Then after she did it, she said it was cathartic, and she couldn’t do it again. When — uninvited — he touches Skylar to get her attention, Hittman cuts to a close-up of his pale hand on Skylar’s body, holding the shot long enough so that there is no ambiguity about the depth and meaning of this superficially casual gesture: its arrogance, its privilege, its sense of ownership. They give two of the best young performances in a very long time. But it's perhaps better defined as a moving snapshot of female friendship, solidarity and bravery. My name is Eliza Hittman. Hittman doesn’t make that kind of movie. There are a few minor beats in “Never, Rarely, Sometimes, Always” that feel either too long or too rushed. What really elevates Hittman’s work here is the sense that Autumn and Skylar are making believable, character-driven decisions on the fly. And she is going through her intake questionnaire with a counselor before she has an abortion. The teen-abortion factor tags Never Rarely Sometimes Always as an issue drama, and in the most unconventional way, it is — raw, haunting and painfully real. With manifestly unshowy, superb technique, the writer-director Eliza Hittman (“Beach Rats”) eases into “Never Rarely” with Autumn performing in a school talent show. Rated PG-13 Yes or no. Running time: 95 MIN. ‘Never Rarely Sometimes Always’ Review: Life or Death in Few Words Two young women from rural Pennsylvania travel to New York to terminate an unexpected pregnancy. It's one of the best films you'll see all year. Written and Directed by Eliza Hittman. He is also a writer for Vulture, The Playlist, The New York Times, and Rolling Stone, and the President of the Chicago Film Critics Association. Did you know that?” The scene that you’re watching an excerpt from is the pivotal scene of the entire film. A quiet teenager named Autumn (newcomer Sidney Flanigan) looks like she carries the weight of the world on her shoulders. A pair of teenage girls in rural Pennsylvania travel to New York City to seek out medical help after an unintended pregnancy. The title refers to options usually employed in Likert-scale questionnaires to measure attitude with nuance. She seems so alone, so out of time and place. Her mother seems loving and supportive, but also overtaxed from caring for a family that also includes two younger children. Photo: Focus Features. You won’t forget them. Autumn wants to get an abortion, take control of her life and her body. Never Rarely Sometimes Always is a powerful, complex, emotional drama that takes us inside the world of a scared, anxious individual. Why? /. But Hittman also pushes her camera in close on Flanigan and Ryder, looking for the truth in their faces instead of manipulative dialogue. Hittman’s visual acuity doesn’t draw attention to itself, but don’t underestimate that aspect either, reflected in simple beats like how she captures a Pennsylvania sunrise on a life-changing day or a tired head against a bus window. At its most obvious, it follows a 17-year-old as she tries to terminate her pregnancy. She’s introduced singing her heart out at a talent show—after her classmates have all either lip synced or done dance routines. Now, though, as Autumn responds to questions about sex and boys, she cracks. Hittman also dodges the “scary city” story that her film could have become. Autumn, with her pink satin baseball jacket, looks ready to rock 'n' roll in a “Grease” revival even if her acoustic guitar and glittery silver eye makeup suggest she’s also doing her own thing. And that means it roars. We are republishing it on the occasion of the film’s U.S. release. Hittman's movie shows that is the case but at the end of the day, one person only has to undergo the procedure. This is a film that proves you don’t need a massive budget, marquee names or fancy tricks to … It’s a shrewdly economical set piece that both demonstrates Hittman’s gift for visually driven storytelling and situates Autumn in a world that you want to pluck her right out of. “It’s just a couple more questions, all right?” I spent a lot of time rehearsing the scene, because it was so important. I’ll admit that I have a very low tolerance for stories of young people or children in jeopardy because it so often feels like a cheap trick to pull at the viewer's heartstrings. There’s something melancholy in Autumn that’s not in most of her peers, and her only friend seems to be her cousin and co-worker Skylar (Talia Ryder). The … The "Beach Rats" filmmaker continues to churn out some of … It’s a seemingly simple objective that proves (no surprise given the battles over abortion) logistically difficult, forcing her to marshal her modest resources and navigate perilous twists and turns. Never Rarely Sometimes Always (2020) Directed and Written: Eliza Hittman. It’s not long before we learn what’s weighing on Autumn’s mind—she’s 17 and pregnant. After Autumn learns that Pennsylvania, her home state, requires parental consent, she convinces Skylar to travel with her to New York to get the procedure. A low-key knockout, “Never Rarely Sometimes Always” tells a seldom-told story about abortion. But the world doesn’t make it easy (never does). Starring: Sidney Flanigan, Talia Ryder, etc. Autumn (Sidney Flanigan), a … The story at the center of Never Rarely Sometimes Always is deceptively simple, but the film Eliza Hittman builds around it is extraordinary. It has a lot to say, and says it quietly but determinedly. Every woman has an abortion story—if not her own, then that of someone she knows. It’s so hard to make stories of young people that don’t feel like they’re using the precariousness of youth as a cheap trick. It’s a simple, stripped-down scene: just two women talking in an office. Movie Review Never Rarely Sometimes Always Eliza Hittman. The theme of the show seems to be teeny-bopping to the oldies, complete with a tragic Elvis impersonator. Autumn barely talks at all for long stretches. But writer-director Eliza Hittman’s follow-up to her acclaimed 2017 film Beach Rats never feels like a polemic; instead, this frank drama is rooted in authenticity in its story of a young woman’s challenges in trying to get an abortion. Hittman is telling a story but she’s also making a quietly fierce argument about female sovereignty. And the scene that is in the film, it’s actually the first take. ‘Never Rarely Sometimes Always’ Review: A Woman’s Heroic Journey. That odyssey begins in a central Pennsylvania town where Autumn (the excellent newcomer Sidney Flanigan) is struggling at home and everywhere else. In writer-director Eliza Hittman's third feature, which is available for rent April 3, the realities of a national healthcare system are given a face. Running time: 1 hour 41 minutes. And, suddenly, her innermost world — with its private agonies and power struggles — opens up and she is ripping your heart out with a face that now mirrors your own. Never Rarely Sometimes Always is transparent in its depiction of the … Review: ‘Never Rarely Sometimes Always’ is a searingly confrontational drama about abortion rights Sidney Flanigan in “Never Rarely Sometimes Always.” (Focus Features) With very little money, they make the journey via bus, and are pushed through a system that Autumn wasn’t expecting. Autumn needs an abortion. One is frontal on Sidney, and one is actually 3/4 profile. And that level of authenticity was really important for me in shooting the film. She makes bad choices, dumb mistakes, rolls her eyes. for disturbing/mature thematic content, language, some sexual references and teen drinking. Block or Report. The teen-abortion factor tags Never Rarely Sometimes Always as an issue drama, and in the most unconventional way, it is — raw, haunting and painfully real. And I wanted to quarantine her away from all of the commotion. This review originally published during the 2020 Sundance Film Festival. Audience Reviews for Never Rarely Sometimes Always Apr 19, 2020 MULTIPLE CHOICES - My Review of NEVER RARELY SOMETIMES ALWAYS (4 Stars) As much as I … Because when Autumn keeps singing, even after a smirking guy in the audience heckles her, Hittman has already defined what kind of girl this is. And I remember, I came in, and she said, I’m ready, let’s do it. Movie score: 6/10. The reason that “Never, Rarely, Sometimes, Always” is such an impressive piece of work is that Hittman has such deep compassion for her two leads, a pair of young women pushing through a world that is constantly putting obstacles in their path. “He’s got the power, the power of love over me.”. But it’s also a bit of misdirection. Hi. And those two cameras were pushed very, very, very close to her. The story follows a 17-year old girl named Autumn (Sidney Flanigan) in a small town somewhere in Pennsylvania who had recently found out she's 10-week pregnant. Never Rarely Sometimes Always 2020 ★★★★½ . In this stirring drama, the director Eliza Hittman tells an intimate story that is also a potent argument about self-determination. And I found a private office for her to sit in. "Never Rarely Sometimes Always" is one of those rare film that could make someone feel less alone. Starring Sidney Flanigan, Talia Ryder, Ryan Eggold, Théodore Pellerin, … The talent show’s canned nostalgia — with its boy-girl couplings and intimations of Eisenhower-era norms — offers a quick, incisive contrast with the image of Autumn tremulously pouring her heart out. She can be casually mean, but isn’t cruel. Starring Sidney Flanigan, Talia Ryder, Théodore Pellerin, Kelly Chapman, Sharon … Calling Autumn and Skylar’s journey an “adventure” would be disrespectful. This review was filed from the 2020 Sundance Film Festival on January 25th, 2020 and is being re-run now that it is on VOD, 4/3. Here, a woman’s right to self-determination has become the stuff of a new and radical heroic journey. Whether it’s the bro who makes lewd gestures at a restaurant, the grocery store manager who kisses his female employees’ hands, or the drunk pervert who pulls out his dick on a subway train, teenage girls navigate a minefield of toxic masculinity on a daily basis. 5. stars 4 out of 5 stars. It is, simply, a depiction of a reality of our present, and the fact that it often feels like a thriller is a damning reflection of how much peril those restrictions have created, especially for the already vulnerable. The title refers to never rarely sometimes always review usually employed in Likert-scale questionnaires to measure with... Makes bad choices, dumb mistakes, rolls her eyes and American critics just loved as. To the filmmaking here that elevates what really matters—her character work shows that is the Editor of RogerEbert.com and... To questions about sex and boys, she cracks caring for a very stripped,. 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